![one more light album artwork one more light album artwork](https://m.media-amazon.com/images/I/81EhHmnUspL._SL1214_.jpg)
Familiar or not, it leaves a lasting impression. But it also seems to allude to its subject matter the story of Essential Aliens revolves around a recurring dream Albertini experienced wherein his life is upended by ghosts, and the painting can be interpreted as a particular interpretation of that ghostly presence. Gaston, mirrors the sonic palette of the album, ideas spilling over the frame but thrown together in captivating fashion. Press materials describe it as a collection of “simple songs about keeping yourself from falling apart,” a kind of “weird blues.” The cover artwork, a painting by David A. Helvetia, Essential AliensĮssential Aliens, Jason Albertini’s 10 th album under the Helvetia moniker, was recorded at his home basement, conjuring a lo-fi aesthetic marked by a dreamlike intimacy and charm. Like the samples the album is built around, the limited framing creates an enigmatic effect, but the whole is no less riveting. By the point Andrews took a crop of the picture, it felt right.
![one more light album artwork one more light album artwork](https://w0.peakpx.com/wallpaper/247/665/HD-wallpaper-one-more-light-linkin-park.jpg)
![one more light album artwork one more light album artwork](https://i5.walmartimages.ca/images/Large/162/031/6000197162031.jpg)
It was a laundrette in Hackney that had been vandalised, but in a very painterly way. “This was a picture I took maybe six years ago. “We’re very visually-based and we work with designers, and there were a lot of suggestions floating around,” Halstead said in our Artist Spotlight interview. The cover artwork for Moot! is as eye-catching as their music is immediate a dozen influences pulse through the record, but any sense of familiarity or cleanliness has been intentionally destroyed. On their debut album under the Moin moniker, Raime’s Joe Andrews and Tom Halstead and longtime collaborator Valentina Magaletti channel a visceral intensity through a combination of live recording and studio techniques. I kept drawing new figs in new styles, reworking, erasing and remixing older versions until we all felt as though this one had hit the sweet spot.” 48. I also hoped that like the title, it would appear surreal but be ultimately understandable.” The process involved continuously drawing the elements that appear on the cover: “At some point I had crafted eleven wasps that looked like each song felt, which you can see running down the left side of the cover. “Like the album, this scene needed to feel authentic, textured, multilayered and kind of momentous. “I figured it would be foolish of me not to show that inside every fig is a dead wasp, which was already such a compelling thing to imagine,” said Leo Horton, who painted the artwork, a pretty literal representation of the title that also hints at the playfulness and detail of the band’s songwriting. Going with a title as long as Inside Every Fig Is a Dead Wasp is a bold idea for a debut album, but for Lunar Vacation, it was a perfect encapsulation of the record’s thematic throughline: bad things have to come for something sweet to grow in their place. Lunar Vacation, Inside Every Fig Is a Dead Wasp “There is so much inside: silence, peacefulness, hope, and freedom.” 49. “For me it means after 10 years of working on Chronos: the conclusion. Alexandre Cazac, co-director of the French label InFiné, agreed that it should be on the cover. But it was the kiss that caught his attention the most a fusion of two worlds. The same goes for its cover art, one of many paintings Alice Sfintesco sent Pätzold, who had been a fan of her work for years. Chronos, his first full-length since 2011’s Minds, journeys towards the abstract but is deeply evocative in its plaintive melancholy. Check out the list below.Īs Secret of Elements, German composer, multi-instrumentalist and producer Johann Pätzold makes music that straddles the line between modern classical and ambient electronica. And to offer more insight into the process and concept behind these covers, we reached out to many of the artists featured for a written statement, or have included quotes from interviews or press materials relating to the artwork. When we did the same list last year, only the Top 10 covers were accompanied by a blurb this time, all 50 entries come with a short description. But they all, in different ways, have struck just the right mood or shaped our experience of an album. This is a roughly ranked list, but some of the albums have been placed in close proximity purely because of their aesthetic or symbolic similarities rather than any objective criteria. To kick off our year-end coverage, we thought it fitting to highlight the album covers that have not only introduced us to new music, but also kept these albums in our memory long enough for list season. People often talk about album covers as points of entry, but they are also a means of remembering – a way of revisiting the world of an album with a single glance.